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Selected work from two of this month’s Y6 workshops in a Leeds Primary School. This full day workshop incorporates a range of creative thinking, writing, speaking and artistic skills as well as a developing of personal and communal sensibilities with group meditation and communication. Underpinning the work is a thorough presentation of the world’s sacred visual art and contextual information relating to universal principles and purposes with much focus on every individual essentially as a unified being with unlimited potential and consciousness.

The workshop aims to ignite the learners own positive beliefs and sense of Self and provide a basis for creating and exhibiting a personal piece of ‘sacred’ art in the form of a mandala type ‘identity plaque’ with collage and paints on a wooden square.

The final work may have an intrinsic semi-fictional aspect in the sense of ‘changing the past’ or ‘becoming, in the future’.

A final evaluation (which may take the form of a group exhibition) and the workshop as a whole, shows that self-learning is as important as knowlege acquisition.

(c) Sacred Art 2012
www.sacredart.org.uk
Music: Prophet’s Charm by the Hidden Name

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This is a short film I made on traditional sign writing and below is something I wrote in 1998, which explains something very important to me.  Signwriting for me is related to ‘divinely revealed crafts’ – (e.g. Arabic calligraphy “knows how to combine the greatest geometrical strictness with the most melodious rhythm”).

The desensitisation of humans is a widespread phenomena never before seen on a scale as that of today. Information technology, described recently (by a computer designer) as ‘an evolutionary cul-de sac’ is no understatement.

The universally recognised ancient crafts, for Muslims were revealed through the prophets and the act of making from raw materials, an object, must relate to the whole man, who is spirit, soul and body, and Islam, the religion of unity, is the religion of wholeness. Titus Burckhardt in ‘Fez – City of Islam, explains he knew a half-blind combmaker who used the most traditional of methods to make durable ox-horn combs. He was saying cheap plastic imports were responsible for diminishing business.

Bismillah Hand Painted Art

Bismillah - Hand Painted Art - Dec 2012

“This craft can be traced back from apprentice to master until it reaches our master Seth, the son of Adam. It was he that first taught it to man, and what a Prophet brings must clearly have a special purpose both inwardly and outwardly. I gradually came to understand that there is nothing fortuitous about this craft, that each movement and each procedure is the bearer of an element of wisdom. Not everyone can understand this.”

To become truly unsanctified and unsanctifiable is a great fear which lies deep in the heart of people. For a Sufi student, his very soul is the ‘raw material’ of his trade. Wisdom, competence and manual skill are also the ‘disciplines’ he must have to produce the ‘fruits of labour’ and the alchemy of his effort is totally at the mercy of his creator. Any occupation he undertakes with the right intention becomes a worship in itself .

First published in a college paper ‘Unity in Art and the Islamic Contribution’ by J Drury 1998.

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Most of my artwork can be purchased – please contact for details prior to the online store being built.  Thank you.

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The new programme Cultural Routes is now available for booking for Leeds / Wakefield area schools and lists eleven professional artist-educators / organisations.

I am offering full day (or 2 x half days) workshops on Sacred Art & Identity as well as inset sessions for teachers. 

Download the flyer and booking form here.

Announcement from Artforms
We are delighted to introduce the ‘Cultural Routes Menu’ – a rich and exciting set of projects and workshops designed to help pupils and teachers explore issues of cultural identity, a sense of community and global citizenship. Workshops cover all art forms and are appropriate for KS1 to KS3. They vary from a half day delivery through to 4 day programmes.

This menu has been developed as a result of a successful pilot called ‘Cultural Routes.’ ArtForms and the Equality and Entitlement team designed the project to look at how the arts can contribute to the learning outcomes from the DCSF Guidance on the duty to promote community cohesion. These guidelines support pupils to engage in activities to discover and look at the following areas throughout their lives:
the self
the school and its community
the locality: the local geographical community
the UK: the national community
the global world: the world community
This NEW ‘Cultural Routes Menu’ will allow more schools to engage with this creative approach. Please read through this brochure for full details of the workshops and projects on offer, including costs and artist biographies.
NOTE – To ensure maximum impact and success most workshops include a consultation and planning meeting with the teacher/s and key staff involved in the project. These will be arranged prior to the project at a mutually convenient time for the teachers and artist. If you require any additional support or have any questions in relation to the ‘Cultural Routes Menu’ please contact: Sarah Westaway, Arts Manager, ArtForms Tel: 0113 230 4074 // Email: sarah.westaway@leeds.gov.uk

 

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Philosophy for Children

I am currently studying the Philosophy for Children (P4C) Level 1 course at DECSY (Developmental Education Centre South Yorkshire).

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Sacred Art Contemporary Application. Workshops for UK Schools & Colleges: Key objectives. Curriculum integration. Background. Credentials. Fees Document

Click image to open document (Adobe PDF)

UK Schools & Colleges Workshops – a document for printing.

Sacred Art: Contemporary Application.  Key objectives. Curriculum integration. Background. Credentials. Fees

Powerwood Camp

Just got back from delivering art workshops at the excellent Powerwood Camp on a farm in Devon.

Sacred Art & Identity Workshop in the barn at Powerwood Camp Devon

Sacred Art workshop in the barn

The camp is for families of ‘over-excitable’ children and so there was lots of energy there!!

The organic nature of the camp caught me by surprise, having been used to delivering in a lot of schools lately where the children ‘have’ to attend..!  I quickly realised that I would have to use every ounce of my enthusiasm and energy to attract the kids to concentrate in such a lively atmosphere but they quickly got into it.  A highlight was the personal courage of one or two of the kids in their own poetry session as well as seeing them relax during the group meditation; always a great joy.  I also did some improvised storytelling at night, which included some impromptu telling from some of the kids too, and held my first ever beginners chi gong workshop!

I attended three of Simone de Hoogh’s ‘Giftedness‘ workshops which have been a revelation, really.  The work finds it’s roots in the work of Dabrowski who developed the Theory of Positive Disintegration – a completely radical and wonderful way of looking at the minority of our children (and adults) who are ‘over-excitable’ and often wrongly diagnosed with ADHD etc. etc.  All good knowledge for the work at Sacred Art and Simone will be holding a workshop in this here in Sheffield on Oct 8 / 9th

New website

As you can see I am rebuilding the website since crashing the last one by mistakenly writing over the WP DB! Anyway, I’ll be a bit more careful in future! Please bear with me while I juggle about fifteen jobs and have a life! : )